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Die Entdeckung einer Camera obscura in Jan Vermeer van Delfts Gemälde Die Malkunst

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Canaletto, il quaderno delle gallerie veneziane el'impiego della camera ottica
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Year: 1959 Publisher: [Trieste] : Università degli studi di Trieste, Facoltà di lettere e filosofia,

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Camera obscura.
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ISBN: 0821277510 9780821277515 Year: 2004 Publisher: Boston Bulfinch Press

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"Een recht natuerlijke schildery" : Johannes Torrentius, die Camera obscura und der Augentrug in der niederländischen Malerei des 17. Jahrhunderts
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Year: 2010

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Pinhole cameras : a do-it-yourself guide.
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ISBN: 9781568989891 Year: 2011 Publisher: New York (N.Y.) Princeton architectural press

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Secret knowledge
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Year: 2003 Publisher: Hollywood : Lightning Dubbs,

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Investigation of how early painters used simple cameras to capture realistic images--400 years before the invention of the photograph. Examines works by Jan Van Eyck, Vermeer, Holbein, Caravaggio and Velázquez. Demonstrates methods using camera lucida, camera obscura and convex mirrors.


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Vermeer becoming Vermeer
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Year: 2021

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Loep, lens en de bril van Hockney
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Year: 2022 Publisher: Amsterdam Kunst en Schrijven bv

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Sténopés : histoire et théorie d'une machine naturelle
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ISBN: 9788869763410 8869763412 Year: 2022 Publisher: Milan : Éditions Mimésis,

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« L’expérience des sténopés a révélé que leur histoire incorporée à celle de la camera obscura relevait d’une vision rétrospective empêchant d’apprécier à la fois leur évolution respective en tant qu’objets techniques, et leur potentialité créative encore peu explorée. En recherchant pourquoi l’histoire de la camera obscura pré-photographique et celle des sténopés fusionnaient si souvent, un récit machinique passionnant et très rarement pris en compte a été mis à jour. Ainsi, les sténopés se sont révélés modernes et non a-techniques, complexes et non primitifs, associés malgré eux et par défaut à de pratiques pensées « pauvres » de la photographie. En reliant aujourd’hui les sténopés à une lignée technique de systèmes optiques diffractifs, il a été possible de questionner non seulement une nouvelle dialectique de l’observation et de l’enregistrement, mais aussi de comprendre certains enjeux visuels, témoins d’un changement de paradigme traversant la photo argentique et la photo numérique. »--Page 4 de la couverture.


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Projecting Spirits : Speculation, Providence, and Early Modern Optical Media
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ISBN: 9781503631946 150363194X Year: 2022 Publisher: Stanford, CA : Stanford University Press,

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The history of projected images at the turn of the seventeenth century reveals a changing perception of chance and order, contingency and form. In Projecting Spirits, Pasi Väliaho maps how the leading optical media of the period—the camera obscura and the magic lantern—developed in response to, and framed, the era's key intellectual dilemma of whether the world fell under God's providential care, or was subject to chance and open to speculating. As Väliaho shows, camera obscuras and magic lanterns were variously employed to give the world an intelligible and manageable design. Jesuit scholars embraced devices of projection as part of their pursuit of divine government, whilst the Royal Society fellows enlisted them in their quest for empirical knowledge as well as colonial expansion. Projections of light and shadow grew into critical metaphors in early responses to the turbulences of finance. In such instances, Väliaho argues, "projection" became an indispensable cognitive form to both assert providence, and to make sense of an economic reality that was gradually escaping from divine guidance. Drawing on a range of materials—philosophical, scientific and religious literature, visual arts, correspondence, poems, pamphlets, and illustrations—this provocative and inventive work expands our concept of the early media of projection, revealing how they spoke to early modern thinkers, and shaped a new, speculative concept of the world.

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